The entire track, possibly the album’s highlight, bleeds intense brilliance.Īn Elvis Jones drum solo begins “Pursuance”. When Coltrane blows the horn again at 3:56, it feels like the following melody is truly what the track is all about and has spent almost four minutes travelling towards. Here’s when the saxophone leads like a voice. The album’s second track sounds like a film score, the cross-rhythms of the drumming and staggered piano lending the album a darker edge. By the end of the track, we are back into silence. Towards the end, the song very slowly takes a step back, Coltrane and another male voice chanting ‘a love supreme’ over and over again as though possessed by a sombre hymn.Įach instrument then takes its lead to withdraw from the noise one by one, before we are left with light tiptoes from the bass. The almost eight minutes long opening track “Acknowledgement” starts calmly and then descends into a chaos of chords. On top of this, Coltrane improvises wild free jazz with his saxophone. You can hear an ocean of noise from rumbling snare drums to crashing symbols and slinky bass. The style is very John Coltrane, with a solid and recurring rhythm background that is often furious. Sonically, the record is actually a continuous, non-repetitive piece of music. So then begins A Love Supreme, a musical suite split into four parts.
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